Category: Latest Updates

Lara Jean’s other romantic interest, John Ambrose, was noticeably absent in the final To All the Boys movie, Always and Forever. Here’s why.

Netflix’s To All the Boys movies feature pretty much every rom-com trope out there, including the classic love triangle. This specific convention reared its head in 2020’s To All the Boys: P.S. I Still Love You, in which protagonist Lara Jean Covey was reunited with her former crush John Ambrose McClaren at a time when she was beginning to question her relationship with Peter Kavinsky. However, despite his importance in that film, John Ambrose didn’t return for the To All the Boys trilogy finale, Always and Forever.

John Ambrose was introduced in Jenny Han’s 2015 novel P.S. I Still Love You before Jordan Burtchett portrayed him as a teenager in the post-credits scene for 2018’s To All the Boys I’ve Loved Before movie adaptation. The character was later recast when the film became a hit, leading Netflix to order a pair of sequels based on P.S. I Still Love You and the final entry in Han’s original book trilogy, 2017’s Always and Forever, Lara Jean. Jordan Fisher subsequently took over the role of the high school-aged John Ambrose in To All the Boys: P.S. I Still Love You.

Senior year of high school takes center stage as Lara Jean returns from a family trip to Korea and considers her college plans — with and without Peter.Initial release: 12 February 2021Director: Michael FimognariAdapted from: Always and Forever, Lara JeanDistributed by: NetflixStory by: Jenny Han

Movies: The Karate Kid, The Karate Kid Part II, The Karate Kid Part III, The Next Karate Kid, The Karate Kid, The Karate Kid 2Characters: Daniel LaRusso, Mr. Miyagi, Johnny Lawrence, MOREDirectors: John G. Avildsen, Breck Eisner, Christopher Cain, Harald ZwartProduction companies: Columbia Pictures, Overbrook Entertainment, China Film Group Corporation

The Karate Kid screenwriter Mark Robert Kamen discussed how he fought to keep a heartwrenching scene in the final cut of the film.

The Karate Kid‘s most emotional scene almost didn’t make the final cut of the film.

Screenwriter Mark Robert Kamen, who penned the first film, discussed how he fought for the scene involving Mr. Miyagi (Pat Morita) mourning his late wife. “Columbia wanted to cut it out of the movie. And despite what he said later, Jerry Weintraub was all ready to cut it,” Kamen told Uproxx. “And I said, ‘This is the heart of the movie.’ John Avildsen and I felt that way.”

An ingeniously unique and unpredictable combo of horror, humour and heart, A Ghost Waits is a DIY labour of love years in the making from first-time writer/director Adam Stovall and producer/star MacLeod Andrews. Tasked with renovating a neglected.

Initial release: 6 March 2020 (United Kingdom)Director: Adam StovallScreenplay: Adam StovallMusic director: Margaret DarlingProducers: Adam Stovall, MacLeod Andrews

Mitchell Carson and his brief role in Ant-Man is quietly one of the most dangerous lingering plot threads in the MCU.

The Marvel Cinematic Universe has introduced plenty of major heroes and unique threats who’ve only to be shifted to the side to make way for ever-evolving storylines that take up more prominence. But there’s one particular minor figure from Phase 2 whose one major act in the MCU could endanger heroes all across the world. Let’s look at Ant-Man’s Mitchell Carson and how his minor role in Peyton Reed’s film potentially poses a major threat to the future of the MCU.

Carson was initially introduced as a member of S.H.I.E.L.D., first appearing in the opening flashbacks of Ant-Man after having risen in the ranks to achieve the title of Head of Defense. He took part in an attempt to replicate the shape-shifting Pym Particles, something that can be incredibly dangerous in the wrong hands. Caron only antagonized Pym when confronted over the act, which resulted in Hank Pym resigning from S.H.I.E.L.D. in anger. But in reality, the reason Carson was so attracted by the idea of Pym Particles was for a much more nefarious reason. He was one of the many Hydra agents who had quietly taken command of certain parts of S.H.I.E.L.D., eventually going rogue after the organization was revealed to the public and evading punishment.

Netflix’s Finding ‘Ohana breaks a major treasure movie trope with its teen hunters, crafting a realistic and inspirational ending.

In many treasure-hunting movies, there’s always that trope where the heroes find the loot and use it in the end. In the Indiana Jones series and National Treasure, the haul was used to enrich the country’s history and for educational purposes respectively, not to mention it garnered the protagonists a great reputation in the public eye.

Then, in films like The Goonies and Romancing the Stone, the heroes used the treasure for personal gain, as seen when Michael Douglas’ Jack returned as a rich man to take Kathleen Turner’s Joan off into the sunset after obtaining an expensive gem. But with Netflix’s Finding ‘Ohana, this cheesy trope is broken, which crafts a perfect ending and gives it a unique position in the genre.