Category: Favourite Stories

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Kadaisi Vivasayi

Release Date : Apr 2023Cast : Vijay Sethupathi, Yogi BabuDirector : Manikandan M

Kadaisi Vivasayi is a Tamil drama movie written and directed by M. Manikandan. The movie stars eighty-five-year-old farmer named Nallandi in the lead role and Vijay Sethupathi makes extended cameo appearence along with Yogi Babu. This film’s soundtrack is composed by Ilayaraja and background score done by Sam C. S.. V. Manikandan and Ajithkumar are cinematographer and editor respectively. Ayananka Bose is additional cinematographer for the movie. The movie produced by Subaskaran Allirajah under the banner of Lyca Productions.

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Dil Bechara Movie Review : An intense, poignant film that makes for an emotional watch

Story: As romance blooms between two youngsters fighting cancer, Kizie and Manny, they live it up to the fullest, despite the inevitable tragedy looming over them.

Review: ‘Dil Bechara’ is the Hindi film adaptation of John Green’s popular 2012 novel, ‘The Fault in Our Stars’. In fact, the book’s Hollywood adaptation with the same name in 2016 met with much critical acclaim.

‘Dil Bechara’ sets itself in Jamshedpur and introduces us to the Basu family. Kizie Basu (Sanjana Sanghi) suffers from thyroid cancer, which has now affected her lungs, requiring her to be on oxygen support almost all the time. With rock solid support from her parents, Kizie takes life as it comes, even taking the bleak, daily multiple hospital visits in her stride. But what she craves for, is a normal life like any girl her age – with regular problems like boyfriends, crushes et al. Instead what she ends up doing is attend funerals of people she doesn’t know, to feel a connection of the inevitable that lies ahead of her. She meets Immanuel Rajkumar Junior or Manny (Sushant Singh Rajput) in college at first and later at a cancer support group. And given her quiet, introvert nature, at first, she is wary of his high energy, exuberance and cockiness. Manny has his own story – he has survived osteosarcoma and his cancer is currently in remission.

The two strike up a beautiful bond as a smitten Manny manages to wriggle his way into her heart, despite Kizie trying hard to avert a heartbreak for him, eventually. Their cutesy chemistry grows on you as they zip through the lanes of Jamshedpur in his scooter. And also as they shoot a Bhojpuri film together for Manny’s close friend, Jagdish Pandey (Sahil Vaid), whose dream is to direct a film before losing his eyesight to cancer. When Manny decides to go all out to fulfill Kizie’s long standing wish of meeting her favourite musician, Abhimanyu Vaid (Saif Ali Khan), she realises she has fallen for him, too. But little does she know that a tragic twist in the tale awaits her.

Given its poignant premise, ‘Dil Bechara’ makes for a very emotional watch. Even as the story’s underlying message, of celebrating life despite knowing the inevitable, injects it with an infectious energy. Especially in the form of Manny’s character who wants to literally grab every moment of the day.

Sushant Singh Rajput, navigating the depth of his character, shines with a stellar performance that is sensitive, intense, lively and vulnerable. It is with a heavy heart that one watches him effortlessly get under the skin of his character and exude a natural charm. With this, the fine actor adds to his legacy of commendable work in a short span of time. And watch out for his brilliant moves in the one-shot title track, choreographed by Farah Khan.

Sanjana Sanghi who makes her debut in a leading role gives an assured, confident performance. The supporting cast, especially Swastika Mukherjee and Saswata Chatterjee as Kizie’s parents are superb and Saif Ali Khan in a cameo is noteworthy. The soundtrack (composed by A.R. Rahman and lyrics by Amitabh Bhattacharya) is peppered with some fantastic, foot-tapping music – particularly Khulke Jeene Ka, Taare Ginn and the title track, Dil Bechara. The chemistry between the lead pair is refreshing to watch, especially in the beautifully shot (cinematography by Satyajit Pande) sequences in Paris.

Director Mukesh Chhabra and writers Suprotim Sengupta and Shashank Khaitan ensure the narrative flows, taking you through some tender, touching moments between Kizie and Manny and Kizie and her parents. And be prepared for some heartbreaking scenes and dialogues that will definitely bring you to tears.

Even though the film’s spirit and breezy pace triumphs, the melancholy that augurs it, will leave you in a puddle of emotions and with a heavy lump in your throat as the end credits roll. ‘Dil Bechara’ will always be remembered as Sushant Singh Rajput’s swan song. Watch this movie simply to witness Sushant Singh Rajput’s last act. A brilliant one at that.

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Varalakshmi Sarathkumar to Play Cop Again in ‘Danny’

Danny is what you might get when you have vague notions of what a murder mystery is but no clue of scriptwriting. The film is a masterclass in bad writing. Things happen in this film just because the director wills them to happen. There is no organic development of the scenes. Take the scene in which Kunthavai (Varalaxmi Sarathkumar), a newly promoted cop, is being thanked by the mother of a man who has been arrested on charges of murdered his young wife. The scene happens in Kunthavai’s house, in the day, and the camera pans inside to show us her sister Mathi proudly smiling. And the very next moment, we see the two sisters somewhere outside, at night, and a duo on a bike attacking them. This hop-skip-jump approach to scenes is not just disorienting (purely unintended, though), but also lays bare the paucity of imagination.

What we get in Danny are plot points instead of storytelling. Scene 1: Introduce the dog. Scene 2: Introduce the dog handler. Scene 3: The crime. Scene 4: Kill he dog handler. Scene 5: Introduce the protagonist. Scene 6: Make protagonist investigate the murder. Scene 7: Clue No 1. So on and so forth. While this approach might seem decent enough, what goes missing is how the scenes play out, and how smoothly they flow into one another. The same approach goes for the characters — cop who believes in justice rather than upholding the law; an innocent sister who has to die so that the investigation feels personal; a dog who is a sidekick; an antagonist who is a druggie; comedians who pop up trying (vainly) to make us laugh… We hardly care about any of these characters, even more so because none of them is developed beyond what their one-line description sounds like.

The director seems to have left it to his lead actress to make this simplistic writing work. But Varalaxmi, who looks the part, cannot do much because her character isn’t fleshed out well. Moreover, the filmmaking is equally basic. We get re-enactments of the murders just so the director can wring some sympathy out of us. But the problem is that even by the 15th minute, the viewer is already busy trying to solve a mystery of their own — the mystery of the lost interest? And they do not even have a dog to sniff it out!