Sadak 2 Trailer: Sanjay Dutt Returns As Ravi To Guide Alia Bhatt On A Dangerous Journey

New Delhi: 

The trailer of Sadak 2 begins in the most poignant manner, with a clip from the original 1991 film before cutting to new footage. Among the first words spoken are these by actor Sanjay Dutt – “Ab kiske liye jeeyoon (now who should I live for)?” This emotional moment is made more so because Mr Dutt, 61, announced on Tuesday that he was taking a break from work for medical treatment – he opted not to disclose details and asked well wishers not to speculate, so we won’t. The trailer of Sadak 2 was delayed by a day, presumably because of Sanjay Dutt’s announcement on his health. It released on Wednesday, a day later than scheduled. Both Sadak and Sadak 2 are directed by Mahesh Bhatt.

In the sequel to Sadak, Sanjay Dutt reprises his role as taxi driver Ravi – it is revealed that his love interest Pooja, played by Pooja Bhatt in the original, has died. Hence his question on who to live for; this is answered by the introduction of Aryaa, played by Pooja Bhatt’s sister and Mahesh Bhatt’s daughter Alia. Aryaa and her boyfriend Vishal, played by Aditya Roy Kapur, engage Ravi to drive them on a road trip.

Turns out, Aryaa is on a mission against “fake gurus,” having lost somebody to one such. Makarand Deshpande makes a fearsome appearance as the godman Aryaa is trying to expose – the character is just as flamboyant and filmy as the villain of the original film, the eunuch Maharani played by late actor Sadashiv Amrapurkar.

The trailer of Sadak 2 also features glimpses of other cast members – Gulshan Grover, Jisshu Sengupta and Priyanka Bose among them. However, it is Sanjay Dutt’s show all the way – beginning and ending with him.

While sharing the trailer, Alia Bhatt summed it up as: “Three streams, three stories, one journey.”

Karnan

Synopsis

Karnan is a Tamil action drama movie, directed by Mari Selvaraj. The cast of Karnan includes Dhanush, Sandakozhi-fame Lal, Rajisha Vijayan debut actress from Malayalam and Yogi Babu. The produced by Kalaipuli S Dhaanu under his banner ‘V Creations’. Karnan will have music by Santhosh Narayanan. This will be Santhosh’s second collaboration with Mari and his third venture with Dhanush after Kodi and Vada Chennai.

KhaKhee

Synopsis

KhaKhee (Khaki) is a Tamil action, cop, drama movie direction by A Senthil Kumar. The movie has Vijay Antony, Jai and Sathya Raj in the lead roles. The movie produced by Open Theatre production banner, while Avagath composes music for the movie and cinematography by Manoj Paramahamsa.
Vijay Antony plays a cop, and Sathyaraj, who plays his father-in-law, will be seen as a cop in the lower rungs. Jai’s character is that of an athlete who comes to India from abroad. Kabali fame Eswari Rao will be seen in the role of Sathyaraj’s wife character.
The first look poster of the movie was released on March 4, 2019. Vijay Antony will be seen sporting a six-pack for the first time with this movie.

Oomai Vizhigal

Synopsis

Oomai Vizhigal (2020) is a Tamil horror thriller movie directed by debutant director VS and produced by V Kumar. The movie starring Prabhu Deva, Mamta Mohandas, Ramachandran Durairaj in the lead roles. The technical crew of Oomai Vizhigal includes Vishnu Ramakrishnan for cinematography, AH Kasif for music, K Aaruchamy for art direction and Satish for stunt direction.

Danny Movie Review : Varalaxmi’s Danny is doggedly dull

Synopsis

A woman is murdered and her body is found burnt in the fields. The cops arrest her husband, but a newly promoted cop believes he is innocent and starts investigating the case, with help from a police dog.

Danny Movie Review: Danny is what you might get when you have vague notions of what a murder mystery is but no clue of scriptwriting. The film is a masterclass in bad writing. Things happen in this film just because the director wills them to happen. There is no organic development of the scenes. Take the scene in which Kunthavai (Varalaxmi Sarathkumar), a newly promoted cop, is being thanked by the mother of a man who has been arrested on charges of murdered his young wife. The scene happens in Kunthavai’s house, in the day, and the camera pans inside to show us her sister Mathi proudly smiling. And the very next moment, we see the two sisters somewhere outside, at night, and a duo on a bike attacking them. This hop-skip-jump approach to scenes is not just disorienting (purely unintended, though), but also lays bare the paucity of imagination.